Saima Kaur led a TextileArtist.org’s Stitch Club designed to make us smile by stitching brightly bold and whimsical figures, and I was inspired by ancient South African rock art.
Stitch Club: Kaur
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Stitch Club: S. Kelly
Stewart Kelly led a TextileArtist.org’s Stitch Club using the kantha stitch to make a still life.
Stitch Club: Edwards
Priscilla Edwards led a TextileArtist.org’s Stitch Club where we learned to make a wire frame and use batik wax to form a sculpture. For whatever reason, I decided I’d make a sailboat!
Stitch Club: Dias
Cassandra Dias lead a TextileArtist.org’s Stitch Club workshop on embroidered landscapes, and I was inspired to recreate a honeymoon photo of France’s Pont Du Gard.
Stitch Club: Boschert
Deborah Boschert lead a TextileArtist.org’s Stitch Club on creating a mixed media art quilt. I based mine upon a visit to a new town and restaurant.
Stitch Club: Stone 3
Sue Stone’s third workshop with TextileArtist.org’s Stitch Club prompted us to use text in our piece, so I recorded a trip to Shawnee National Forest.
Stitch Club: Stone 2
Sue Stone led a TextileArtist.org’s Stitch Club in her well-known portrait style, and I was inspired to capture a man in a hat in four variations.
Stitch Club: Maue
TextileArtist.org’s Stitch Club with Joetta Maue prompted a stitched piece from a photograph and I’ve recreated an adored image of my late grandparents.
Stitch Club: Weighton 2.1
Haf Weighton lead another TextileArtist.org’s Stitch Club workshop on architectural layering, and I was inspired to render New Albany’s Culbertson Mansion based on a photograph by Daniel Andis.
Stitch Club: Sproule
April Sproule led a TextileArtist.org’s Stitch Club using a spiral concept. I felt like this would be a nice project for a friend and asked her for a color palette, hence the unusual-for-me color theme.
Stitch Camp 2023
I stitched this mixed media piece following Gwen Hedley’s instruction through TextileArtist.org’s Stitch Camp.
Stitch Club: Clover
Jette Clover lead a TextileArtist.org’s Stitch Club using scraps and a stamp. I used a country farm stamp with a big red barn as inspiration.
Stitch Club: Tume
Kate Time lead a TextileArtist.org’s Stitch Club on narrative bead texture, and I was inspired to have a play!
Stitch Club: Notman
Emily Notman lead a TextileArtist.org’s Stitch Club where we would learn to make a jar wrap, and I was inspired to create a scene along a lakefront at sunset with cattails blowing in the wind.
Stitch Club: Bliss
Oliver Bliss lead a TextileArtist.org’s Stitch Club recently centered on color blocking, and I was inspired to stitch up a skull with flowers.
Stitch Club: Norbury
As part of TextileArtist.org’s Stitch Club, Ruth Norbury tasked us with making a textural mixed media peice and I chose Hubert Robert’s La Fontaine painting as my subject.
Stitch Club: Steel-Jessop
As part of TextileArtist.org’s Stitch Club, I made a map of Guy Gavriel Kay’s Sarantium (by Martin Springett) following Bridget Steel-Jessop’s workshop.
Stitch Club: Goodwin
As part of TextileArtist.org’s Stitch Club, I followed Valerie S. Goodwin’s workshop to create a map of one of my favorite places.
Stitch Club: Pattullo 2
As part of TextileArtist.org’s Stitch Club, I followed Mandy Pattullo’s workshop to create a textile collage bird.
Stitch Club: McVetis
As part of TextileArtist.org’s Stitch Club, I created an abstract motherboard using techniques from Richard McVetis.